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Κρήτη: «Μπλόκο» σε δύο κιλά ηρωίνης - Χειροπέδες σε ζευγάρι

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Lue koko artikkeli aiheesta: newsbomb.gr
Petri Dishes with Alexandra Petri (Feb. 2)
Humor columnist Alexandra Petri takes your questions and comments on the news and political in(s)anity of the day.
1m
washingtonpost.com
Tampa Bay Buccaneers and Kansas City Chiefs to square off in Super Bowl LV
The Tampa Bay Buccaneers and Kansas City Chiefs are set to square off in the 2021 Super Bowl. Meanwhile, Tuesday marks one year since the death of Kobe Bryant, his daughter, and seven others. CBS News special correspondent James Brown joined CBSN to discuss the latest in the sports world.
cbsnews.com
In Less Than a Minute, Biden Changes US-Russian Dynamics
This article is part of the The DC Brief, TIME’s politics newsletter. Sign up here to get stories like this sent to your inbox every weekday. It’s been a busy week in Washington. President Joe Biden yesterday reversed his predecessor’s ban on transgender individuals from serving in uniform, boosted a Buy American program for manufacturing…
time.com
Airbnb was ensnared in the Capitol Riot fallout. It somehow still came out on top
Brian Chesky had some air mattresses, but not much more, in 2008 when the presidential election triggered an idea for his then-fledgling startup, Airbnb.
edition.cnn.com
EDD's lack of planning deprived jobless Californians of needed benefits amid pandemic, audit finds
The state auditor's report was ordered by lawmakers who criticized the EDD for a large backlog of claims and the failure to prevent widespread fraud.
latimes.com
Verizon Internet Outage Leaves at Least 22K People Without Access in D.C., New York, Boston
The telecommunications company said that a fiber cut reported in Brooklyn might be responsible.
newsweek.com
Josh Hawley's Efforts to Block Biden DHS Pick Alejandro Mayorkas Fails in Committee
Biden's nomination of Mayorkas to lead the Department of Homeland Security moved forward on Tuesday.
newsweek.com
'Same problems' will resurface if Biden rolls back border wall construction, former NM governor warns
Former New Mexico Republican Gov. Susana Martinez warned Tuesday that it is 'very wrong' for the Biden administration to halt the construction of the southern border wall, calling the fence a 'piece of the security of our nation.'
foxnews.com
What McConnell got -- and didn’t -- on the filibuster
washingtonpost.com
Facebook users’ phone numbers reportedly being sold on Telegram
A cybercriminal has created a bot that’s selling access to millions of Facebook users’ cellphone numbers through the Telegram messaging app, a new report says. The bot pulls the info from a massive database of phone numbers taken from Facebook before the social network patched a security hole in 2019, according to Motherboard. Anyone who...
nypost.com
Primaries for North Carolina's 2022 US Senate seat are already heating up as another Democrat gets in
North Carolina state Sen. Jeff Jackson announced his 2022 bid for Senate on Tuesday, setting up a divisive Democratic primary for the open seat that will be pivotal to the party's future control of the Senate.
edition.cnn.com
British newlyweds 90, 86 get COVID-19 vaccine
Newlyweds Geoff and Jenny Holland, 90 and 86 received their COVID-19 vaccinations on Monday, January 25 in the English town of Mansfield after testing positive for the virus in November. The couple met about 18 months ago at a community centre, and got married during the pandemic, in August. “I was married 65 years, nearly....
nypost.com
RNC Chair Ronna McDaniel says Trump’s ‘not going to start a third party’
Republican National Committee (RNC) chair Ronna McDaniel says she’s confident that former President Trump won’t start a splinter party.
foxnews.com
Major snowfall brings some relief, joy to Midwest
A major winter storm dumped more than a foot of snow on parts of the middle of the country, disrupting travel and shuttering many schools. But it also brought relief and joy to some residents. (Jan. 26)       
usatoday.com
Tony Blinken confirmed as Joe Biden’s secretary of state
The Senate on Tuesday easily confirmed Tony Blinken to be President Joe Biden’s secretary of state. Blinken won broad bipartisan support in the 78-22 vote. He previously was deputy secretary of state under former President Barack Obama. At his confirmation hearing this month, Blinken praised former President Donald Trump for taking a tougher approach to...
nypost.com
Homeland Security secretary nomination advances as top Democrat rejects GOP request delay
Alejandro Mayorkas' nomination to be Homeland Security secretary moved forward Tuesday after a Senate panel vote as a top Democrat rejected Republican calls for another hearing that would delay his confirmation.
edition.cnn.com
Mexico horror: Many of 19 bodies found shot, burned may have been Guatemalan migrants, relatives say
Most of the 19 bodies found shot and burned in a northern Mexico border state may have been Guatemalan migrants from a small group that began heading toward the U.S. earlier this month, relatives said.
foxnews.com
A Writer Lost His Singing Voice, Then Discovered The 'Gymnastics' Of Speech
New Yorker writer John Colapinto developed a vocal polyps when he began "wailing" with a rock group without proper warm-up. His new book explores the human voice's physicality, frailty and feats .
npr.org
Packers insist they are ‘not idiots’ when it comes to Aaron Rodgers
Aaron Rodgers may believe his future with the Packers is up in the air, but Green Bay CEO Mark Murphy has a differing opinion. Appearing on WNFL’s ‘The 5th Quarter Show’ on Monday, Murphy addressed Rodgers’ cryptic comments following the Packers’ 31-26 NFC Championship defeat to the Buccaneers, in which the longtime Green Bay quarterback...
nypost.com
Due to COVID, 2021 is not the year to hike the entire Appalachian Trail, group warns
The Appalachian Trail Conservancy, which cares for the trail, is discouraging thru-hikers from attempting all 2,190 miles in 2021 due to COVID-19.       
usatoday.com
What Joan Didion means to us
Joan Didion in Vogue in 1972. | Henry Clarke/Conde Nast via Getty Images Her new book, Let Me Tell You What I Mean, taps into what makes Didion an icon. In the spring of 1975, 41-year-old Joan Didion was both the “Regents’ Lecturer” at Berkeley, her alma mater, and kind of a nervous wreck. By then, she was successful, having published two novels (Run River and Play It As It Lays) and a very highly regarded book of essays (Slouching Towards Bethlehem), along with scores of articles, reviews, and columns. In 1973, Tom Wolfe included Didion in his anthology The New Journalism, which solidified her place alongside Truman Capote, Norman Mailer, Gay Talese, George Plimpton, and other practitioners of an experience-driven, subjective brand of reporting (even if she always insisted the best journalists knew to stand outside the story). She had also been a guest lecturer before, most notably at Yale a year prior. She was not yet recognizable as Joan Didion, icon. But everything was about to change. At Berkeley, she was set to spend a month on campus as a visiting teacher, then conclude her stint with a public lecture. The classroom reviews were not stellar. Didion’s biographer Tracy Daugherty writes that “one student said the class was terribly awkward and tense. Didion would read to them in a barely audible voice or stare at them in silence, drumming her fingers on the desk.” That version of Didion — quiet, ill at ease, seemingly wanting to be anywhere but where she was — is not a wholly unfamiliar figure to today’s reader. In interviews — especially very recent ones — she often comes across terse and evasive, like she’d rather be doing literally anything else. But if you’ve read her essays from that era, it’s still a little startling. How could this timid, perplexing lecturer be the source of the wry, detailed, sometimes even chatty voice that pops up in much of her writing? John Bryson/The LIFE Images Collection via Getty Images/Getty Images Joan Didion at home in Malibu with her husband John Gregory Dunne and her daughter Quintana Roo Dunne in 1976. During her time at Berkeley, Didion was simply buried in writing a new book, and her natural shyness, coupled with a kind of anxiety, likely contributed to her in-class manner. In an autobiographical passage in her 1984 novel Democracy, Didion writes of that period, “In 1975 time was no longer just quickening but collapsing, falling in on itself, the way a disintegrating star contracts into a black hole,” noting that “I seemed able to concentrate only on reading newspapers.” Whatever the reason, the English faculty at Berkeley had more or less stopped taking her seriously by the time her brief tenure was over, and booked only a small room for her culminating public lecture. Didion, apprehensive and on edge, later told a friend that she had to work up the nerve to ask for a larger room, and so the departmental secretary switched the event to a lecture hall. She was terrified. What if it didn’t fill? What if it did? Before the lecture, Didion hid in the ladies’ room, certain she was about to throw up. She shouldn’t have been worried. Caitlin Flanagan, then a teenager and the daughter of a Berkeley professor, recounted years later the “Didion-mania” that broke out, startling the university’s faculty. The youthful Flanagan wasn’t at the lecture, but she heard about it. “It was a madhouse,” Flanagan wrote. Whatever resistance Didion experienced at Berkeley stood in marked contrast to the passionate horde of fans who appeared to hear her speak. “There were tearful women who were turned away at the door, others grateful to stand in the back or to sit on the floor, a huge, rapt crowd of the type that doesn’t feature in even the wildest dreams of most writers.” For women who had read her essays and novels, Didion’s Everywoman persona — a measured voice that processed a world as it fell to pieces — was a conduit for their own emotions. She was their Superwoman. Joan Didion, the writer, already had her fans, but Daugherty points to the Berkeley lecture as the moment that Joan Didion, the icon, was born. For the next several decades, Didion would be viewed through not just a literary lens but an aesthetic one. She would come to symbolize cool. In 2015, at 80 years old, she would model for the French luxury brand Celine. A famous photograph with a cigarette and a Corvette Stingray would be taped up above the desks of aspiring young women writers for decades to come. Her 1968 essay “Goodbye to All That,” in which she recounts going to pieces and moving away from New York City, would practically generate its own subgenre of imitation. She meant something to people. She means something to people. Liz O. Baylen/Los Angeles Times via Getty Images Didion at New York’s Booth Theater in 2007, during the Broadway production of her play “The Year of Magical Thinking,” adapted from her memoir of the same name. That night at Berkeley in 1975, Didion gave a lecture titled “Why I Write.” It became one of her most well-known works. “Why I Write” was published in the New York Times in 1976 and makes frequent use of one of Didion’s signature rhetorical devices: She makes a statement, then tells the audience what she means by what she just said. “It took me some years to discover what I was. Which was a writer,” she explains. Then she quickly clarifies: “By which I mean not a ‘good’ writer or a ‘bad’ writer but simply a writer, a person whose most absorbed and passionate hours are spent arranging words on pieces of paper.” “Why I Write” is really an explanation for how Didion views meaning as inextricable from syntax itself: “To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed,” she writes. To her, a writer is not primarily a prophet or a polemicist; a writer is someone who uses hammers and saws to shape the raw building blocks of words. Writers coax meaning from the words themselves, from turns of phrase, from the construction of sentences. A writer knows how to conceal and reveal significance by placing the building blocks well. And, most importantly, a writer looks past the obvious, past surface-level appearances, past the fictions people construct to turn the disorder of the world into order,starting with their own inner life. “I write entirely to find out what I’m thinking, what I’m looking at, what I see and what it means,” reads one of the most famous lines in “Why I Write.” Writing brings order from chaotic thought, even if the world itself is chaos. Until now, despite its vaunted status, “Why I Write” has never appeared in one of Didion’s essay collections. But it’s in her newest book, Let Me Tell You What I Mean. For an author as obsessed with meaning as Didion, that title is a revealing double entendre, and one that seems to hang on that moment at Berkeley in 1975. She is telling us what she means, as she told that standing-room-only audience. And she is also telling us what she means, here in 2021, after decades of being one of America’s most admired, most argued-over writers. Twelve previously uncollected essays, spanning 1968 to 2000, cover all kinds of different subjects: alt-weeklies, failing to get into Stanford, Robert Mapplethorpe’s photographic subjects, the pitch-perfect personal branding of Martha Stewart. She writes on Ernest Hemingway and on William Randolph Hearst’s palatial Xanadu estate. Her infamously surgical evisceration of Nancy Reagan is also included here, in the form of a 1968magazine profile entitled “Pretty Nancy,” which was found so objectionable by its subject that she wrote of Didion in her memoirs, “She had obviously written the story in her mind before she ever met me.” Some essays in the collection feel very personal, like Didion’s remembrance of friend, director, and producer Tony Richardson. (Richardson’s daughter, with Vanessa Redgrave, was the late actress Natasha Richardson, who died in a skiing accident in 2009; Redgrave in turn played Didion in the Broadway production of Didion’s book The Year of Magical Thinking, about grief.) Pete Marovich/Getty Images Didion receives the National Humanities Medal from president Barack Obama in 2013. Let Me Tell You What I Mean is a small book — literally, you can practically slip it into your back pocket — and it feels more like an appendix or an album of B-sides to Didion’s oeuvre than a fully fleshed-out new entry. Scholars and avid readers of Didion will not find new information here. But it’s a worthy collection nonetheless, because it works like a skeleton key to unlock Didion’s continued significance in American culture. What has made her so lasting and important to so many? Why are we still talking about her and reading her and teaching her writing in classrooms? The book unpacks this legacy subtly, in a way as twofold as its title: Because she means things, and because she means something. In each essay, Didion is explaining what she means when she says things, often things that shock or intrigue. “The only American newspapers that do not leave me in the grip of a profound physical conviction that the oxygen has been cut off from my brain tissue, very probably by an Associated Press wire, are The Wall Street Journal, the Los Angeles Free Press, the Los Angeles Open City, and the East Village Other,” begins her 1968 essay “Alicia and the Underground Press.” Didion rushes to assure us that she’s not trying to “make myself out an amusing eccentric, perverse and eclectic and, well, groovy in all her tastes”; instead, she is lamenting the “inability of all of us to speak to one another in any direct way, the failure of American newspapers to ‘get through,’” and the way the fiction of objectivity strangles journalism. And then she goes on to tell us what she means by that. Saying things, then clarifying them, is evidence of Didion’s precision, her need to make sure she reveals only what she wants to and not a bit more, that the words she chooses do exactly what she means for them to do. For Didion, sloppy writing is sloppy thinking, on the border of being immoral. When she made the pivot to writing about politics in the 1980s, she frequently focused not only on what people, especially politicians and pundits, were saying to the public, but on the way they said it, and the meaning they tried to repress in their rhetoric. And she holds herself to the same standard. “The whole meaning of anything for me is in the grammar,” she told an interviewer in 2002. “It doesn’t mean anything until I’ve written it. I don’t have a lot of thoughts. They don’t form until I’ve written it down. So the process of writing is the process of thinking.” The effort Didion devotes to making herself clear is somewhat ironic, since her most-quoted line ever — the first sentence in her 1979 essay “The White Album,” which is “We tell ourselves stories in order to live” — is also her most misquoted. Often it’s brought up as an inspirational bon mot for aspiring writers, an exhortation to keep telling stories so that we can keep living. In fact, it’s the opening salvo in a devastating passage arguing that this storytelling impulse fools us into believing that life makes sense, when, if we looked at it with scrutiny, we’d know the appropriate response to life is “an attack of vertigo and nausea.” By the end of the essay, Didion has told many stories, but she says that “writing has not yet helped me to see what it means.” But the essays in Let Me Tell You What I Mean aren’t just about Didion clarifying her thoughts while look on. Taken together, they reveal how she is trying to interpret — by writing about others, mostly — what she herself actually means to us. In “Everywoman.com,” a 2000 essay about Martha Stewart’s personal brand and the fandom it spawned, she writes a telling passage: The “cultural meaning” of Martha Stewart’s success, in other words, lies deep in the success itself, which is why even her troubles are strivings are part of the message, not detrimental but integral to the brand. She has branded herself not as Superwoman but as Everywoman, a distinction that seems to remain unclear to her critics. The tell is in the essay’s last paragraph, where she observes that Stewart’s story is a “‘woman’s pluck story, the dust-bowl story, the burying-your-child-on-the-trail story.” For nearly her whole career, Didion has drawn on those same pioneer narratives to explain her entire self-conception, as a descendant of pioneer women who came to California. She is writing, at least a little, about herself. And that makes the kicker even more significant: “The dreams and the fears into which Martha Stewart taps are not of ‘feminine’ domesticity but of female power, of the woman who sits down at the table with the men and, still in her apron, walks away with the chips,” she writes. Henry Clarke/Condé Nast via Getty Images Didion at home in her Malibu kitchen in 1972. That seems faintly self-aware.Famously reticent to describe herself as “a feminist,” Didion seems to have tapped into this same version of female power that she ascribes to Stewart. She is, on the one hand, the writer who seems fragile and reserved, even the woman trembling in the Berkeley bathroom — the Everywoman. In her later years, she is the woman left alone by the untimely deaths of her husband and daughter, losses she tries to process in The Year of Magical Thinking and Blue Nights with extraordinary vulnerability. She wants to make sure we know she doesn’t think she is special. On the other hand, she is the writer who can practically disembowel a politician or pundit’s bad reasoning, take apart a brainless movie or book, or reduce a pompous public figure to a hollow shell, and that’s why writers love her or fear her. Words are her scalpels. In an essay in Let Me Tell You What I mean titled “On Stories,” she writes that at her first job at Vogue writing merchandising and promotion copy, “I learned a kind of ease with words, a way of regarding words not as mirrors of my own inadequacy but as tools, toys, weapons to be deployed strategically on a page.” Not everyone learns to write like that. It’s a sort of Superwoman ability. Couple it with the surprisingly controlled iconography she’s let out into the world — the photo of herself with a cigarette, one arm crossed over her waistline; the photo of herself with a cigarette and her Corvette; the modeling work for Celine — and it’s no wonder that some of her fans worship her for what they think she means, even if they don’t always cop to what she means. Why does Joan Didion matter? Because she has chronicled, for well over half a century, how the powerful use words to obscure meaning. How lies get dressed up as truth. How we all submit to magical thinking when confronted with the inexplicable or the frightening. How we make up stories to convince ourselves that we have everything under control, how we spin webs of meaning from words and sentences and turns of phrase. How we write to find out what we mean. How we need, wisely or not, figures who can make meaning for us out of chaos.
vox.com
Joe Biden Will Sign Four Executive Orders on Racial Equity—Here's What They Do
"Building a more equitable economy is essential if Americans are going to compete and thrive," Biden's Domestic Policy Council director Susan Rice said Tuesday.
newsweek.com
San Diego Zoo gorillas to get COVID-19 vaccine after outbreak
Some of the gorillas at a San Diego Zoo will get a COVID-19 vaccine after a group of them became infected with the virus, officials said. San Diego Safari Park executive director Lisa Peterson said that a supply of the vaccine not permitted for use in people will be given to a few of the apes,...
nypost.com
Kellyanne Conway investigated by cops after nude photo of daughter Claudia posted
Police have launched an investigation into a topless photo of Kellyanne Conway’s 16-year-old daughter, Claudia — which she says her mom posted to Twitter — and cops paid a visit to the family’s New Jersey mansion Tuesday. Just before noon, four officers showed up with papers in hand at the Conways’ home in tony Alpine...
nypost.com
Las Vegas fire crews rescue hiker injured on 300-foot mountain during ‘white out’ snowstorm
Las Vegas fire crews scaled a 300-foot mountain on Monday morning to rescue an injured hiker after "white out" conditions prevented a helicopter from reaching the victim, authorities said.
foxnews.com
Rate of TSA gun recoveries doubled in 2020 compared with a year earlier
Weapon seizures were down — but the rate of seizures was historic, the agency said.
washingtonpost.com
Rangers scrambling to replace Filip Chytil after crushing injury update
It’s bad. Maybe even worse than you feared. The official word from the Rangers is that Filip Chytil, the third-line center who was on the cusp of an early season break-out, will be sidelined for four-to-six weeks with what is being called “an upper body injury,” which he sustained in a second period open-ice collision...
nypost.com
Martha Stewart launches line of CBD-infused dog treats
Martha Stewart is bringing a new line of CBD dog treats to the market.
edition.cnn.com
Twitter’s Hunter Biden crackdown includes blocking Dana Loesch from platform campaign
Twitter is still targeting users who share reporting related to The Post’s Hunter Biden exposé — this time by blocking conservative radio host Dana Loesch from joining the platform’s new campaign to root out disinformation. Loesch, the former spokeswoman for the National Rifle Association who hosts the national radio show “The Dana Show,” tweeted that...
nypost.com
Judge Orders Sex Tapes Allegedly Of Patriots Owner Robert Kraft Destroyed
Misdemeanor solicitation charges against Kraft and other men were dropped last year after a Florida appeals court ruled that the videos were not admissible as evidence.
npr.org
Maryland parents sue school after teen son dies from choking on glove
Bryan and Tanya Levy allege that there wasn't adequate supervision when their 17-year-old son, Bowen, got a hold of the rubber glove at Central Special School in Edgewater and ingested it.
nypost.com
Elizabeth Hurley’s 80-year-old mom snapped her topless pics
"Not entirely sure if that puts minds at rest or not."
nypost.com
Gov. DeSantis Disputes White House Claim That Florida Is Underutilizing COVID Vaccine
"The insinuation that Florida is underutilizing vaccines is totally disingenuous," Florida Governor Ron DeSantis said.
newsweek.com
Florida Offers to Host Olympics if Tokyo Pulls Out
Florida has offered to step in and host the 2021 Olympics if Tokyo, Japan, backs out over pandemic fears.
breitbart.com
Conquer ‘Moby-Dick,’ finish ‘Infinite Jest’: Avid readers share their resolutions for 2021
The most common resolution involves not just spending more time reading but reaching a specific number of books.
washingtonpost.com
Couple allegedly flew to rural area to skip vaccine line
Chief Angela Demit said White River First Nation was selected for vaccines given the "remoteness, elderly and high-risk population, as well as limited access to health care."
cbsnews.com
Forbes cancels Bermuda trip for ‘30-Under-30’ honorees after backlash
Forbes planned a “magical” trip for nearly 100 “30-Under-30” honorees to Bermuda, but axed the jaunt after intense online backlash amid the coronavirus pandemic. The month-long Caribbean excursion was set to start March 1, when 75 guests could “work all day, and then network, engage in live programming, and have incredible fun on nights and...
nypost.com
Mary-Kate Olsen, 34, and Olivier Sarkozy, 51, finalize their divorce nine months after separating: report
Mary-Kate Olsen and Olivier Sarkozy have reportedly finalized their divorce.
foxnews.com
Indian farmers battle police in protest against agricultural reforms
Wild video captured some of the thousands of Indian farmers battling police in New Delhi on Tuesday as they protested against agricultural reforms by breaking into the historic Red Fort complex in the capital. The farmers were seen in the footage after they broke through barricades by foot, on horses and tractors — attacking police...
nypost.com
Dax Shepard coaches his girls to keep mom Kristen Bell's job on the down-low
Dax Shepard, chatting with Justin Timberlake, shares a tip for protecting his girls from their parents' fame: Don't out your mom as Princess Anna from "Frozen."
latimes.com
Matthew Perry sells quarantine home in Malibu for $13.1M
Matthew Perry has finally sold his "kick-ass" Malibu home for $13.1 million.
nypost.com
Washington Post columnist slammed for claiming 'many conservatives' offended by Harriet Tubman on $20 bill
A liberal Washington Post columnist was called out Monday for claiming "many conservatives" would object to Harriet Tubman gracing the $20 bill but giving no examples.
foxnews.com
Antony Blinken confirmed as Biden's secretary of state
The Senate has confirmed Antony Blinken as President Joe Biden's secretary of state.
abcnews.go.com
Aaron Rodgers wants a new contract from the Packers
Aaron Rodgers isn’t happy with the Packers. The 37-year-old quarterback and 2020 NFL MVP award favorite wants a new contract, a source told Mike Florio of NBC Sports. Rodgers is coming off of a banner year in which he led the Packers to a 13-3 record and the NFC Championship game. He completed a career-high...
nypost.com
Capitol Police chief apologizes for "failed" response to riots
Acting Chief Yogananda Pittman revealed the U.S. Capitol Police Board denied a request to ask for additional National Guard support.
cbsnews.com
How Michael Jones Changed Our Daily Lives
Last week, at his home in Sunnyvale, California, a man named Michael T. Jones died of cancer, at age 60.…
theatlantic.com
Kobe Bryant’s top highlights, from high school to his final NBA game
Kobe Bryant will always be remembered in many different ways — as a husband and father, a passionate teammate, an inspirational motivator. For most of the world, the memories that will endure after Bryant’s tragic death in a helicopter crash on Jan. 26, 2020 will be the moments he created on the basketball court. An...
nypost.com
Alabama tornado kills 14-year-old, leaves path of destruction
In one neighborhood, it was difficult to tell where houses had stood in the tangled wreckage.
cbsnews.com